Description

This rare set of six dining chairs, designed by Geraldo de Barros for Unilabor in the late 1950s, represents one of the most rigorous and intellectually driven expressions of Brazilian Modernism. De Barros—an artist, photographer, and designer—approached furniture as a system of proportion, rhythm, and social purpose, rejecting excess in favor of clarity and discipline.

The chairs are constructed in Brazilian rosewood (jacaranda), articulated through slender, tapering legs and a vertical slat backrest that introduces structure without visual weight. The design achieves a precise balance between restraint and elegance, reflecting Unilabor’s ethos of collective production and ethical modern design. The seats are upholstered in soft leather, offering a composed yet comfortable seating experience that supports an upright, formal posture appropriate for dining.

The rosewood frames have been expertly restored, revealing rich tonal variation and refined grain, while the leather upholstery remains supple and understated, complementing the linear geometry of the design. Rarely found as a complete set, these chairs are highly sought after by collectors for their architectural clarity, historical importance, and material integrity.

A museum-quality example of mid-century Brazilian design.