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Kevin Hearn’s seventh album, Days In Frames, is sonically stunning, easy and breezy. It’s piano-driven, hauntingly melodic pop, resplendent in space-age synths and ukuleles, as grounded in the everyday as it is fascinated with the otherworldly. That’s true lyrically as well; Hearn describes the songs as being about “love, loss, life, death and renewal, with brief glimpses of the supernatural and the occasional darkly humorous observation.”
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