Description

Designed in the 1950s during Geraldo de Barros’ seminal period at Unilabor, this sideboard stands as a refined expression of Brazilian modernism at the intersection of art, industry, and social purpose. Barros—an artist, photographer, and designer—approached furniture as a system, privileging clarity of form, rational construction, and material honesty. These principles are clearly articulated here through the disciplined geometry of the cabinet, the rhythmic composition of its storage elements, and the restrained yet graphic contrast between materials.

Crafted in richly grained Brazilian rosewood (jacarandá), the case showcases exceptional wood selection, with deep tonal variation and expressive veining that has matured beautifully over time. The three drawers are faced in original light formica, introducing a subtle chromatic tension that was central to Barros’ vocabulary, while discreet brass pulls add a precise metallic accent. A larger enclosed compartment completes the composition, offering generous storage while maintaining a balanced, architectural presence.

Produced by Unilabor in limited, cooperative-led batches, pieces of this caliber are increasingly scarce. This sideboard exemplifies Barros’ enduring influence on Latin American modern design—intellectual, purposeful, and unmistakably elegant.