Engaging Cinema is a must-have resource for students and film enthusiasts alike. This BRAND NEW book, published by W W Norton & Company, dives deep into the intricate relationship between society and cinema, making it an essential component of any film studies course. With its ISBN 9780393934915, this compelling text spans 576 pages of insightful analysis and thought-provoking discussions.

Bill Nichols, a respected figure in the world of film theory, meticulously explores how films both influence and reflect societal norms. This pioneering guide addresses critical questions that are pivotal for understanding the evolution of cinema as a cultural phenomenon. From examining how social forces affect film production to understanding which movies resonate with audiences over time, Engaging Cinema invites readers to investigate the powerful connections between film and society.

This book stands out in the academic landscape, offering an engaging introduction to film studies that challenges traditional approaches. Its accessible 'trade paperback' format ensures it's not only affordable but also user-friendly for both beginners and seasoned scholars alike. Whether you are looking to deepen your knowledge of cinema or seeking a unique educational tool, Engaging Cinema is your gateway to understanding film in a broader context.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9780393934915
Year: 2010
Publisher: W W Norton & Company
Pages: 576


Description:
Engaging Cinema emphasizes the interactions between society and
cinema and introduces students to film studies as it is actually
done by scholars and critics.


In what ways do films influence and interact with society? What
social forces determine the kinds of movies that get made? How do
movies reinforce-and sometimes overturn-social norms? As societies
evolve, do the films that were once considered ?great' slip
into obscurity? Which ones? Why? These questions, and many others
like them, represent the mainstream of scholarly film studies
today. In Engaging Cinema, Bill Nichols offers the first book for
introductory film students that tackles these topics head-on.


Published in a handy 'trade paperback' format, Engaging Cinema
is inexpensive and utterly unique in the field-a perfect complement
to or replacement for standard film texts.