HEAT Series 3 Number 6Condition: BRAND NEW ISBN: 9781922725059 Year: 2022 Publisher: Giramondo Publishing Description: HEAT Series 3 Number 6, in fuschia pink, marks our first year back in print. It opens with an essay on the nature of time by Fiona Wright; followed by a meditation on childhood, grief, and freedom by Hanne rstavik (trans. Martin Aitken); a sequence of poems about the death of a child by Zang Di (trans. Eleanor Goodman); insights on fatherhood by Oscar
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Condition: BRAND NEW ISBN: 9781922725059 Year: 2022 Publisher: Giramondo Publishing
Description:
HEAT Series 3 Number 6, in fuschia pink, marks our first year back in print. It opens with an essay on the nature of time by Fiona Wright; followed by a meditation on childhood, grief, and freedom by Hanne Ørstavik (trans. Martin Aitken); a sequence of poems about the death of a child by Zang Di (trans. Eleanor Goodman); insights on fatherhood by Oscar Schwartz; some surprising ceramic post-it notes by artist Kenny Pittock; and a long essay by Amitava Kumar about the ideological shifts across decades in a community in Khunti, near Ranchi, in eastern India.
First published in 1996, HEAT is a literary magazine dedicated to publishing Australian and overseas writers of the highest quality. HEAT’s third series (2022–) is edited by Alexandra Christie and designed by award-winning designer Jenny Grigg.
Recent praise for HEAT:
‘So slender and elegant, nothing wasted, nothing grandiose – and beautiful work.’ — Helen Garner
‘HEAT magazine was a trailblazer from the day it was launched…[The new series is] still dedicated to publishing non-Anglophone views of the world, alternatives to the mainstream and points of view that are both thought-provoking and expressed in high literary style.’ — Openbook, NSW State Library Magazine
‘A very beautiful and stylish object…long may this new series of HEAT continue!' — Sarah Holland-Batt
‘I welcome the return of HEAT. Readers and writers alike will revel in its daring audacity, bold exploration and innovative celebration of literature.’ — Alexis Wright