Delve into the intricate tapestry of art and culture with 'Western Art and the Wider World.' This compelling book invites readers to explore the dynamic interplay between the Western art canon, emerging since the Renaissance, and the rich artistic traditions from the Islamic world, the Far East, Australasia, Africa, and the Americas. With 320 pages of rich insights, this essential art history guide reveals the profound connections that have shaped global artistic expressions. Uncover how influences such as the Renaissance encounter with the Ottoman Empire and the impact of Japanese art on the 19th-century French avant-garde have interwoven throughout history. This book goes beyond conventional boundaries, championing the idea of 'world art' long before globalization took center stage. Written by a renowned art historian and co-editor of the esteemed Art in Theory volumes, this work is indispensable for art students, educators, and enthusiasts alike. Discover how contemporary art dialogues with the past, challenging the isolationist views that often cloud our understanding of art history. Perfect for anyone interested in global art influences, 'Western Art and the Wider World' offers a comprehensive look at art's significance and diversity across various cultures. Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled. Condition: BRAND NEW. ISBN: 9781444333923. Year: 2013. Publisher: John Wiley & Sons (UK). Pages: 320.

Note: Shipping for this item is free. Please allow up to 6 weeks for delivery. Once your order is placed, it cannot be cancelled.

Condition: BRAND NEW
ISBN: 9781444333923
Year: 2013
Publisher: John Wiley & Sons (UK)
Pages: 320


Description:
Western Art and the Wider World explores the evolving
relationship between the Western canon of art, as it has developed
since the Renaissance, and the art and culture of the Islamic
world, the Far East, Australasia, Africa and the Americas.



Explores the origins, influences, and evolving relationship
between the Western canon of art as it has developed since the
Renaissance and the art and culture of the Islamic world, the Far
East, Australasia, Africa and the Americas

Makes the case for ?world art? long before the
fashion of globalization

Charts connections between areas of study in art that long were
considered in isolation, such as the Renaissance encounter with the
Ottoman Empire,  the influence  of Japanese art on the
19th-century French avant-garde and of African art on early
modernism, as well as debates about the relation of
?contemporary art? to the past.

Written by a well-known art historian and co-editor of the
landmark Art in Theory volumes